Over another Syko beat, these two Bay Area vets not only ripped this track lyrically but they showed many people that there were players in the rap game who enjoyed the same type of success as some these cats on MTV and BET, even without the same exposure. The other track that was guaranteed to get the party crackinвЂ™ (and still does to this day) was вЂњBoss TycoonвЂќ featuring Yukmouth of The Luniz. One is вЂњThizzelle Dance,вЂќ where Dre and Chuck Beez took a weird beat from Portand producer Syko and created a party hit that paid tribute to thizz and one of many unique dance moves Dre was known to create. ThereвЂ™s two songs that define this album and DreвЂ™s whole movement at the time. But- just like a thizzelle high- Dre bounces all over the album through the ups and downs. Songs like вЂњStuart LittlesвЂќ and вЂњHan SoloвЂќ give the listener a little insight into the mind of Mac Dre where he expresses some of the things he deals with when the partyвЂ™s over and heвЂ™s left to his own thoughts. Klyde of the Mob Figaz and Pittsburg project legend King Freako (RIP). Some of the songs are deep and reflective of the vicious cutthoat lifestyle, like вЂњHelp MeвЂќ featuring Rydah J. In the context of this album, that makes sense- Dre goes from the fun-loving ladies man to the gorilla pimpinвЂ™ street hustler to the OG vet whoвЂ™s been on both sides of the gun and the penitentiary. But sometimes that emotion can get heavy, especially when youвЂ™re coming down off the high. From the beats, to the raps, and even the shitty vocal mix, it sounds like Dre and his folks pretty much just popped a few pills and partied in the studio.Д®cstasy and music go quite well together, as the drug brings the userвЂ™s emotional and physical feeling to new levels of pleasure and relaxation. I can recall Mac Dre rapping about thizz since the Rapper Gone Bad album in 1999, but by the time Thizzelle Washington came out, it seemed he had made a whole entire lifestyle around the drug- which is pretty obvious if you listen to the album. I mostly associated it with white and Asian kids in the rave scene.

This seems fitting for DreвЂ™s Thizzelle Washington album, where his character is something like a cat who loves to have fun and party, but is also real gangsta whoвЂ™s serious about his money.ДЄt first, thizz (or ecstasy, for you squares out there) seemed like an unlikely drug of choice for a Bay Area thug. Basically when someone hyphy walked in the building, you could predict it wouldnвЂ™t be long before a fight (or worse) broke out. As I remember the term (and maybe Keak Da Sneak can back me up on this), someone who was acting hyphy was highly intoxicated, feeling themselves, and ready to trip and get active at a momentвЂ™s notice. But before the movement, Dre really brought hyphy to the public- the REAL hyphy. It also changed the culture of the Bay, which went onto influence the whole world through the so-called Hyphy Movement. The sound was different, fun, and got people moving. Whether it was cars passing by, other kids in high school, house parties- everybody was on it. Dropping rhymes since 1989, it was no secret that Dre was all about the party life, but the Thizz movement took that in a new direction- and the whole Bay soon followed.Д®verywhere I went during that time, I heard people slapping Mac Dre. The sound on this project was a slight departure from MDвЂ™s trademark Bay Area gangsta style. DVD in 2003, his music and personality spread contagiously. When Mac DreвЂ™s Thizzelle Washington album dropped in 2002, followed by the highly-popular Treal T.V. That question was guaranteed to set off almost any dance party in the Bay Area during the last decade. Underground Classics: Mac Dre вЂњThizzelle WashingtonвЂќ

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